I haven't had a chance to play with the two new ones yet, but I slightly favored Jahan over Madora. His early dialogue pretty clearly telegraphed the big reveal to come later, but what struck me as amusing/interesting/different - and his outrage over the discovery of the slaughtered animals in the witch's cave really brought this home - is that he mixed an attitude toward nature that is usually associated with fantasy-genre druids, who stereotypically abhor necromancy as unnatural, with the notion of necromancy as an almost artistic ideal.
