A Treatise, with a preface:
This is a more general problem that I am concerned about, where a group of "features" in BG3, combined with some "features" that were in DOS2 could make for an absolute disaster in character-driven storytelling. In this post, I am going to touch on complaints about playersexuality. These complaints are not designed to marginalize LGBT folk or make it so that they cannot romance who they want (everyone has a place here), as I have seen some accuse others of "polite homophobia." There are legitimate problems with the "player-defined" storytelling that Larian has, and I hope such accusations will not derail this subject. To preface, I am in no way against providing a space for LGBT people in this game, but there are legitimate problems with the way Larian rolls out sexuality. However, playersexuality is not my primary concern, but a premise of the argument.
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Part One: Playersexuality
Playersexuality, when considered as a MECHANIC, follows the basic pattern: the character in question has a vague sexuality until it is defined by the player. Almost a Schrödinger's sexuality, if you will. If it is defined by the player, it is often done either through an acceptance of advances, or a rejection of advances. The first consequence of this is that the writers cannot use a sexuality independent of the PC's interests as a character trait in the writing process. In real people, sexuality is not a malleable character trait, otherwise sexuality would not be a matter of identity, but a matter of preference, and that "argument" has been settled decades ago. The way I understand it, people are born the way they are in that department. Now, maybe realistic portrayals of sexuality are not the priority here, but it is one more thing the writers cannot use in their utility belt of characterization (there are some nice responses, like Shadowheart's embarrassment, but these are few and far between). The next problem with this is that it implies that your character sets the identity of these characters, which breaks the illusion of the player-independent, complex, in-depth character with a concrete personality. This makes it so that every character feels like an interactive backstory, but if you sneak around the back, you can flip a switch that says "SEX" to make them interested. It is a robotic portrayal in nature, and makes for exceptionally unconvincing characters.
I will return to the "interactive backstory" problem later, but I want to counter the "iterative game world" argument that I have seen on this forum. I have seen some posters tell other posters that each game world exists independent of another, and within a given world, the characters you romance or are interested in you have a sexuality that corresponds with what would rationally make sense with their advances. This "argument" pursues a tenuous, barely technical validity over actual quality storytelling. Neither I nor anyone else can erase other game worlds from our memory. Every character with a certain approval level expresses advancements towards you. The sexuality "set" for a companion within a given game world is hardly used in characterizing that companion, if it is referenced at all (there are a handful of lines that allude to it... barely). Ultimately, the "iterative game world" argument is based on a level of self-deception and suspension of disbelief that Larian has not EARNED in its character writing. It could conceivably earn it through other means, but as the game stands now, it has not done so. Imagination is good, but this argument advocates for imagination to compensate for mediocre writing. The characters and their characterization is not player-independent or immersive enough to warrant this imagination.
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Part Two: Playerreputation
Playersexuality on its own does not break the game for me. It becomes a much bigger problem when we consider the handling of ALIGNMENT/REPUTATION in Divinity: Original Sin 2. In DOS2, your companions will follow the reputation or alignment of the decisions of the player character. Yes, there are a handful of small exceptions (Beast and the Conspiracy). In other words, DOS2 reputation follows the same pattern as its playersexuality, becoming playerreputation. This strips out actual moral and ethical content from characterization. If you take the good route, all "evil" characters are just edgy, which is a watering down of their personalities. I am deeply worried that Astarion will take the same path as Sebille, where if you take the good route, you can reason that Astarion only is the way he is because of Cazador, and if you get rid of Cazador and show Astarion kindness, then he will be redeemed (and his personality does a 180). This approach takes a reprehensible character and makes him sympathetically edgy because the PC felt like it. This approach is remarkably unconvincing in its storytelling.
Outside of a substantialist definition of evil (i.e., that Evil is a THING), another definition of evil is as the privation of Good (i.e., that evil is the absence of good, and it is only good which is a thing, marked by its moral desirability). To make all evil characters "redeemable" (in the way discussed above) is to deny the very existence of the evil character, or that such characters should be dispensed with for being terrible (God forbid a fictional character do something terrible!). People can be good; people can be bad; people can have reasons for being the way that they are; people can be without reasons for being the way that they are. In all of these cases, it is unconvincing to put the trajectory of reputational development of a companion completely in the hands of the PC's behavior. I have seen some complaints that Astarion is dismissive of slaves despite he himself being a slave (I used to complain about it too, a lot, but I changed my mind)... that's how a hypocrite lacking in empathy would react to the world around him. And maybe being a hypocrite lacking in empathy is a defining character trait for Astarion that doesn't require a redemption arc. In the real world, the majority of clinically diagnosed psychopaths don't have redemption arcs. I've never seen a dictator regain his humanity. There are many interesting ways in both history and literature through which bad people have been brought to do good things in the end.
In this case, there is also a "just imagine it/just roleplay it the way you like" counterargument that emerges on the forums. Once again, given how much Larian strips out of characterization and places flippantly on the shoulders of the PC's whims... Larian has not EARNED the suspension of disbelief. These are not characters; they are interactive backstories that follow your reputation and activate sex scenes if you respond to their advances. The ray of hope in BG3 is hidden alignment, the approval system, and the possibility that characters can leave you if you neglect their approval enough. It remains to be seen how much ethical characterization Larian rips out of its companions for playerreputation, and if it will be done to the same extent that they rip out sexual characterization of companions for the sake of playersexuality. Indeed, you are granted so much unwarranted agency over a character's development that they might as well not have an independent personality at all.
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Part Three: Playerorigins
Playersexuality and playerreputation taken together present a major problem, but still don't break the game. The coup de grace comes when you combine these two systems with the Origin System. In principle, the Origin system allows you to take over any of the companions and play AS them, taking full control over their characterization and decision-making. One narrative consequence of this decision is that every companion is written to conceivably be an independent and headstrong main character with an interactive backstory upon which the world hinges (that you, the player, can decide however you choose, if you so wish to play as them, leading to flimsy commitments to the heavily suggested outcome, a wishy-washy approach). A problem is that the "independence" and "objective-oriented" and "headstrong" traits we are TOLD the companions have are contrasted by the absurd levels of personality malleability we are SHOWN. The result is that companions feel like hollow skins with interactive backstories that we can slip on at our convenience, romance and fuck at our convenience, and morally develop or degrade, at our convenience.
None of it feels consistent and none of the characters feel real or independent. Their secrets, machinations, and approval ratings are the only things making them feel "real" beyond the whims of the player character (and much of those will go away when you play as them). It also doesn't help that the Origin System seems to lead to the unintended (or maybe intended) consequence that every character's dialogue occurs only when the PC decides to talk to them alone. They have so much to say to the PC individually that you can react to, but rarely respond to the world around them, or to other companions. Can't characterize them TOO much, lest you want to play them a different way in a different playthrough. This problem is compounded by the fact that-- if the game is anything like DOS2 -- an overwhelming amount of content and storytelling will be locked behind the Origin System and playing with companions. So the conflicts listed are almost inevitable.
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Suggestion:
Now, there is something to be said for allowing your roleplay decisions to impact the development, nature, or playstyle of a character in an RPG. That's just a good way to go about an RPG, but there are limits, and EVERYTHING IN EXISTENCE is better with some modicum of moderation, or at least awareness of a moderated, healthy path of implementation. Even Goodness itself is better in moderation, lest you forget what makes something Good to begin with. I don't think playersexuality needs to be cut, nor do I think companions should be disallowed redemption arcs or changes in reputation/alignment from initial characterization, nor do I want to prevent anyone from taking advantage of the Origin System. I think all three of these things need to be REWORKED so they function better.
Instead of having characters approach you at the party based on approval, it should be based on taking specific dialogue options earlier AND having a high approval rating. In BioWare's games, specific dialogue options open up romance down the line. There should be some sort of attraction/flirt dialogue option in camp discussions that triggers an approach... like expressing interest or chemistry earlier on that a companion follows up on during the party once approval is high enough. That way you don't have random companions to whom you have never expressed any interest swarming you at the party without notice because your approval was high enough, thereby bypassing the "flippant," "PC-determined" sexuality that takes away from characterization. And it would allow the writing team to define and tailor what a companion finds as a persuasive flirt/attractive/chemistry-y TO THAT SPECIFIC COMPANION, which is good writing. Then, for whichever characters you are not expressing interest, allow them to have an independent sexuality (that's still PC-determined, but will give the illusion of not). Then lightly allude to each character having a certain sexuality (that can be overridden by the PC's consistently interested dialogue and high approval) with certain dialogue, banter, past lovers (or lack thereof), etc. I think a consequence of this will be making the PC approach companions for dialogue of their own volition more often to advance the relationship.
Next, some evil characters can be allowed to become "Good but Edgy," but other evil characters should not have that path, or the difficulty of achieving one or the other should be greater depending on a character's personality, or it should be context-dependent based on the cumulative characteristics of a playthrough's permutations. GIVE THE COMPANIONS MORE INDEPENDENT CHARACTERIZATION THAT MAKES THEM FEEL REAL, NOT LIKE INTERACTIVE BACKSTORIES THAT BEND TO THE WHIMS OF THE PC. THEN, AND ONLY THEN, ALLOW OUR CUMULATIVE DECISION-MAKING TO CONTROL THE FURTHER TRAJECTORY OF THAT CHARACTERIZATION. LARIAN IS MISSING OUT ON THE FIRST STEP. Finally, and I will beat this drum to kingdom come, more intra-party dynamics and cross-companion dialogue/banter which is independent of the PC and provides characterization of how the characters act with each other outside of the PC's purview.
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EDIT (A FEW MORE COMMENTS):
-There is already the start of having independent sexuality. We have reason to believe (though by no means confirmatory reasons) that Gale and Wyll are not "strictly" homosexual based on the implied sexual nature of their relationships (whether one-sided or two-sided) with Mystra and Mizora, respectively. Now, this implied sexuality is overridden by high approval rating and the subsequent romance decision. One can reasonably assume Gale and Wyll are probably bi, pan, or straight. It would be nice if their INDEPENDENT sexuality could be fleshed out more even if you do not romance them.
-My hope is that more is done to separate Astarion morally from Sebille. I hope Astarion's Master is not as morally defining for him as Sebille's Master was for her. Sebille's behavior was a product of her enslavement and torture. Who's to say Astarion wasn't a pompous, sadistic hypocrite lacking in empathy BEFORE he met Cazador? That would subvert expectations, methinks. I can easily see how someone like Astarion, born into Baldur's Gate nobility and granted power as a local magistrate, would use that wealth and power for corrupt and cruel ends, especially given what we have seen of a post-torture Astarion.
-Another problem with not allowing reprehensible characters to be reprehensible, or converting them into "good but edgy" characters is that it leads to predictable writing. They are always tortured, or sheltered, or there's some bigger bad out there. It narrows the scope of acceptable personality, to the point that every "bad" character needs a genuine justification for being bad. Maybe their justification isn't good enough, maybe they're just bad people, maybe they overreact to perceived slights, etc. Not everyone has to be good or redeemable or justifiable "deep down." Some are, and that can make for good writing, but not all.
-ALSO, Larian is remarkably inconsistent and a little bit "bad" about visual storytelling for its characters. See this thread:
https://forums.larian.com/ubbthreads.php?ubb=showflat&Number=824010#Post824010 , compounding the severity of the problems contained herein. This thread and that thread kinda cover the same inconsistency of characterization but in dramatically different ways.
-Saw a comment about stereotypes or mannerisms being used to "code" sexualities and how it was a problem because it was fundamentally stereotypical in nature. I happen to agree, but I also think there are ways of alluding to a PC-independent sexuality in characterization without using stereotypes as a crutch. Alluding to romantic history is part of that. Expressing interest in attractive characters of certain sexes is another part. Maybe having non-romanced characters flirt with NPCs based on their (implied) sexuality is an option... I'm not sure what Astarion's implied sexuality is outside of "Can it be tortured, mutilated, deceived, manipulated, humiliated, or harmed? If so, that's hot," But he does come across as a flirty character in general. I think the key to sexuality is not stereotype or mannerism, but allusions and implications.
(Also, if anyone is wondering why I am posting about playersexuality on this post rather than the playersexuality topic... it is a matter of principle that I am not going to reply to a topic that refers to playersexuality as "Sexdolls.")
-Also, apologies for making it sound like LGBT-folk were the problem and were making baseless accusations. The polite homophobia one on Sozz was really baseless, but I understand there is legit hostility on the forum.
-Finally, instead of having hollow characters follow the behaviors and alignments of the party/PC, allow specific dialogue trees to shape the direction of character development. Perhaps arguing with an evil/bad/cruel character after an important character-defining moment opens up different ways the character can go, regardless of your own character's moral development. Present redemption arcs and doubling-downs as options the character can go, with your own moral arc being another set of options, rather than just having the companions "tag along" with your own development. Also corruption arcs maybe?
