Well, the game at least makes the effort to make the refugees a more even moral spread. Some of them are parasites and rogues, like Aradin who turns out to be a real piece of shit, and Mol as well who even abandons her brats the moment she gets into the Guild to continue climbing her way up after all the worry those brats had for her back in Act 2 when she got kidnapped. Others are truly innocent victims of circumstance. And while the game does depict rich nobles who don't want to share, it also touches on the fact the city can't accommodate an influx of people with no available housing and a dwindling job market.
Obviously, the game is political, and the people celebrating it obviously are the same hypocrites who would ride on Polygon articles hating a game for being full of Christian allegory and thinly veiled anti-abortion messaging. But as far as political meddling goes in the story, this game was surprisingly mild. Unlike Hogwarts Legacy, which gives no option of what pronouns you wish to be referred, eliminating your gendered pronouns for they/them without consent, or turning 18th century Scotland half Asian and black. That's just an example of nakedly political games. This game is fairly well restrained, I don't think it deserves the flak other games should have gotten.
