Alright, its time for some more feedback from Discord. Please note again that I rephrase some stuff, add something or even remove some stuff that can already be seen in this thread. But if there is an emphasis on a topic already written in here, I will make sure to have it present.
More depth and Thiramin, also *that* Drow scene - thanks to Storm
FeedbackAdding the poly, free love spirit to the "wise mentor" archetype makes Halsin stand out, but he often feels very one-note when it comes to dialogues. He is mostly reduced to being a hot, attractive big buff while he could (and already does sometimes) show so much more of his knowledge/personality/vulnerability. This would not only add more depth but also make the thirst dialogue stick out less than now while he still could maintain his hypersexuality.
As for the Drow scene, the way it is presented and the fact that Halsin only tells about the violence and SA in his past after this (for the only time) reduces the trauma he received to a joke. This is totally wrong.
SuggestionShow us more of his personality, allow him to share more with us than just his hunger for sexual interactions. When Halsin tells the Tav he doesn't want another person beside Tav, allow the Tav to tell him the same. This could even be added to the game in form of Thiramin, the rite of binding to one's soulmate*. In addition to that, please allow Tav to follow Halsin in the epilogue.
You handled Astarions past and traumas comparably well (a good example of how a writer could show empathy and sensitivity), so handle Halsin's past the same way.
*for more information, you could check
https://www.realmshelps.net/charbuild/races/elf/leaf.shtml or google it.
Act 1&2 Halsin is lost in Act 3 - thanks to Smrt4ss445
FeedbackBy prioritizing a fetish over the actual character, the Halsin from act 3 feels nothing like act 1&2 Halsin - what has once been a wise druid became a complete horndog guided by his dong. He doesn't add anything after act 2. While he might have been a shot to represent poly-forms of relationships, people living these do hardly feel represented by Halsin.
Whats even worse is, that this extends to Shadowheart. Not only does Halsin change heavily, he is even written in a way that he forces himself into a romance between Tav and Shadowheart, making the Tav look like a clown when Shadowheart - out of nowhere - comes up with sexual fantasies about Halsin.
Its even more weird if you find out that both characters got written by the same writer.
SuggestionGet rid of the major tonal whiplash between acts 1-2 and act 3. Give Halsin an identity and personality traits to stick with from the beginning to the end. Even with character development, you usually don't make a 180° turn in your complete personality.
Stop having Halsin forcing himself into what should have been a monogamous relationship between Shadowheart and Tav. Let Tav decide if they want to include Halsin.
More non-adult romance scenes + let Tav show Halsin love - thanks to Tenshi Kurama
Feedback & SuggestionPlease add more Halsin romance scenes that are not adult sleepy time but more sweet moments throughout act 1 and 2.
Also right now, Halsin seems to think of love as some kind of imprisonment thats chaining him to someone, so love is rather negative to positive to him. There should be a way for the Tav/OC to show Halsin that love can be something wonderful thats even enhancing the life instead of being a prison for his heart.
Someone said that poly people never will be monogamous, but quick search showed that poly-people can have a monogamous relationship if they want to (did someone say character development?). It would be nice to have the Tav/OC help Halsin with his trauma rather than just reducing him even more to the body he has to offer. This could even make up for a good questline that shows how Halsin learns more about love and how it might help him talking about his time of slavery (not in the jokey "3-years-of-SA-misadventure-with-positive-sides-as-I-am-just-a-horny-bear-lol" way but with empathy thats needed on the topic).
Personal noteWhile I dont think that Halsins & SHs writer is a bad person, trying to make fun of horrible things or just lacking empathy (at least thats what I want to believe), I still feel like there is no improvement when it comes to how to handle topics that are nothing to joke with. The Red Prince already showed a similar destructive behaviour thats now forced on us again in another Larian game.
While I totally get it that trauma, cruelty and violence has its positive sides when it comes to writing. The myriads of threats, twists or psychological questions that come with such topics can enhance a character extremely - if well written. Deciding to pick up those topics always comes with a social responsibility, a responsibility that should always remain present while writing. Given that its not granted that every player's mind is in a stable condition, one has to take precautions and steps to clarify, how wrong such actions are, how they can not only lead to ruining peoples hearts and minds, it can threaten the life itself.
Personally, I don't mind serious topics being added to a game, if its for educational purposes but in Halsin's case, there is a total rejection of the social responsibility coming with it. Looking at Astarion and even other games, clearly it is possible to take a good, healthy approach to sensitive topics.
Also, please forgive my double post.